Why is dystopian fiction so popular now, especially among teenagers and young adults?
Seems obvious, really.
The popularity of that sort of fiction is always concentrated in the portion of society that is likely to be most affected by the worsening โ real or imagined — of the world that lies in their future.
Right now, the future light cone for the millennials and younger doesnโt look that bright. Median wages are decreasing along with job prospects. Inequality is off the charts. Their elders are doing fuck-all about potentially civilization-ending quandaries like climate change and resource depletion. More importantly, all of that seems to be getting worse instead of better.
In the 1950s, the dystopianism was aimed at an older audience as they mostly held the fears about the nuclear-tipped precariousness of the world and the resulting paranoia, hence all the films such Invasion of the Bodysnatchers and the mutant creature features —ย all monsters therein mutated of course by radiation โ such as Them!
Contemporary dystopian novels and cinema now concern themselves with severely restricted choices in a world of limited resources (The Hunger Games), utter society-mandated conformity (Divergent) and a combination of all three (Uglies).
This is no mistake. When a culture sings, everyone joins the tune. They canโt help it.
Criticizing readers and movie watchers โ especially young ones โ for consuming fiction that helps them deal with emotionally and to some extent understand intellectually the milieu into which theyโve been thrown without choice adds unnecessary insult to already-grievous injury.
After all, this dystopian fiction would not even exist if the current stewards of the world that these young people will inherit had not utterly and inexcusably botched the job.