Isรฏa – dis moi

Jโ€™aime bien sa voix un peu soufflรฉe mais pleine dโ€™assurance. Sa robe, on dirait un sac-poubelle de camping1 โ€” et pourtant, elle le porte grave bien.

Les mystรจres sโ€™arrรชtent jamais ou quoi ?

  1. I have no fucking idea how to say this in French; I did the best I could.

Kashmir

This is not to take anything away from Sina. She’s great. An amazing drummer. But there’s never been a pure rock drummer like John Bonham. Perhaps Karen Carpenter. And…that’s about it.

That’s a great cover. And there’s nothing wrong with this, but she’s not Bonham. She’s a little too on top of the rhythm. Bonham dances with the rhythm, he plays with it and brings it where he needs it to be before you know it needs to go there. He’s behind the next note when that’s what makes sense and emphasizes or drags out a few phrases to make the music better. And, mostly, Sina doesn’t do any of that. Because what Bonham does can’t be imitated and probably cannot be taught.

Sina’s cover is technically perfect. But it’s also a bit shallow. It just doesn’t have the same soul.

Sina is better than almost any drummer who has ever lived. But when you’re playing against Bonham that simply does not matter.

Now compare Sina’s version with the original.

That hurried little fills in Kashmir are so great. How you learn to do something like that I cannot even begin to imagine.

Bowerful

God she’s good. She really just has the touch. I don’t think I’ve seen her play that white Fender Strat before. Beautiful guitar with a bright but still melancholy sound.

I like that she’s not a show-off; Grace cares about the music and what would make a good sound, not merely playing the most difficult possible thing. And just think: she’s only 18. She is only going to get better.

(Also, I love her zip cord coat.)