It should be a requirement that reviewers at least understand the work they are reviewing. That’s a repeated problem that I run into — not one out of 100 reviewers understood Ex Machina, for instance, and the problem was not with the movie.
Here is another example, this time with the Netflix adaptation of The Haunting of Hill House.
Also, is the reviewer aware that the book is unchanged, just as it was? No books were “mangled” in the process of making the show; it can be read just as it was prior to the series. Also, there were absolutely no jump scares at all in the show. I believe the reviewer might have been watching a completely different series than I observed. (Which is very apropos given the themes of the series itself.)
Here’s the big secret I think the reviewer missed: no one ever left the Red Room of Hill House. The entire Crain family is still there, alive in memories, alive in the house, dead in the world — that’s why the father’s demise is never mentioned, never nodded to, never discussed.
The only way to get a completely happy ending in this life is to never engage the world — and in the context of the show, how does one never engage the world?
Exactly.
The way is to be digested by Hill House. The Crains all died there, and are together, perhaps even happy, in their memories, in their fantasies, in the ever-present timeless phantasmagorium of Hill House.