MI:4

Just such a great, tight action sequence. It’s perfect. It’s dramatic, funny, doesn’t have crazy cuts and it is its own little story. The half-silent argument via CCTV is just so well-done. What I love about the entire setpiece is that there is nothing you can add or take away to make it any better. The amount of artistry, great editing, actor talent and painstaking direction that it takes to create something like this is staggering to think about.

GZ

Can adults have Lucky Charms?

You’re an adult. You can do whatever the fuck you want. This has to be a Gen Zer here, afraid of the light. As I was talking with my partner the other day I observed, accurately, that younger millennials and Gen Z have become the socially inept, isolated computer nerds we used to be but no longer are. But it’s happened to a whole generation-and-a-half of people. Seriously, the interpersonal skills of Gen Z folks are fucking terrible as they have retreated into phones and social media and can barely talk to anyone and cannot handle confrontation at all.

But as to being an adult, Baby Queen said it best.

BBYQ ❤️

I love this song so much. Baby Queen is the best. This song as it does for many people reminds me of leaving behind everyone and everything I’d known to embark on a new life in the army, knowing that I’d never see many of those people again and that no matter what happened, I’d never see them the same way again.

She captures so much real with so little.

Loop

Most of these are not true, or are not true in the way expressed. Sometimes there are actual blooper takes included in films, but it’s rare. Even if there is a blooper and it turns out to be better, the director gets the actors to recreate the superior-by-accident blooper for many takes for better camera position or to really nail it.

This is mostly lies and is not the way high-budget films work. Even “improvised” lines and scenes are re-shot many times almost without exception.