Scenedom

Such a lovely, real film. I like how it shows without telling that Sandie is disassociating from all the being used and abused, and that the scene brackets that with the puerile, platitudinous insincerities from men who do not at all care about her as a person.

And because I’ve watched the behind-the-scenes footage, I know at 2:13 when Sandie looks down and starts to move a little awkwardly, it’s because she (rather, the actor Anya Taylor-Joy) has been told not to run into the ornate horizontal ring-light that she’s standing in the middle of. This works in the context of the film as Sandie’s mental state is deteriorating — but it’s also fun having that deeper knowledge of the constraints the actual actor is working under to make the scene.

It’s just such a good film. Love all the color — very unlike most modern films. Highly recommended.

Ways

Here’s what I wish had gotten popular rather than terrible tattoos — really weird haircuts:

Bizarre cuts have the advantage of impermanence, can do some quite creative things and don’t destroy the lines of the body. Anyway, she’s in this video if you want to see more of her cut and a bit of the back of her head:

I have no idea what the hell is going on in that vid but it’s hard to go wrong with a bunch of Druid/Goth chicks conducting arcane rituals in the woods. I surely cannot find a single thing to complain about there.

1995

She aptly uses Windows 95 as a metaphor for the optimism toward the future we all felt back then. Great song. The Win 95 reference is particularly appropriate given that the interface and base design was in fact a huge leap forward for usability and functionality, as opposed to what we experience now — where all is regression, drastically-reduced functionality, algorithmic oppression and data-thievin’ on a massive scale.

Regarding the video itself, I’d say “Lady, Those Eyes” about covers it. As I’ve said many a time before, I like my TVs dumb and my women smart.