Well that’s something I didn’t know I needed. Pretty great.

And I’d love to know the details of that analog equipment the woman at the back right is using. I recognize almost none of that, which is unusual for me; I bet it’s custom-built.

I really enjoyed this cacophonous chaotic song and the freaky little weirdo who created it. She’s just my kind of freaky little weirdo.

Nice noisy song and I like Venus’s messy haircut and her outfit.

This is tons of fun and that bass player is tearin’ it the fuck up (yes, I know they are not really playing in the video).

The microphone taped to the old-school hair dryer is brilliant. I did a double take when I first glanced at that.

What a voice.

I typically do not care for music that’s non-melodic and slow like this, but this is gorgeous and contemplative. Really nice.

Good song. Has a definite mid-90s look and feel. None of these people were even alive then, so good job.

Now that is some premium shoegaze.

That song is incredibly beautiful. And so is Catalan.

Fun song. And she’s the most Italian girl I’ve ever seen in my life.

Well that is fucking excellent.

Nice cover.

That’s a damn good mic. Too good; you can hear background noise (sirens). But even though in actuality it’s kind of poor sound design I like it. You can hear Ariel breathing, and swallowing, and her lips opening and closing. Just makes it more human in an age of AI songs and ubiquitous autotune.

A condenser mic was probably not the right choice here, especially without a mic shield, but it was nevertheless the perfect choice in this instance.

This is a lot better than the original, which is too schmaltzy. This has depth.

Beautiful song.