The only good scene in this bad film is when Emily Blunt’s character gets to the studio and all that follows. That starts about 3:15.

The rest of Disclosure Day was Spielberg at this worst, seemingly making a lackluster and lazy homage to superior movies from the 1980s. No one cares about live news shows and TV weather reports anymore, for instance, though this scene still works — especially if you pretend it was filmed in 1988.