Escapism and guilty pleasures

Iโ€™ve always despised the concept of โ€œguilty pleasures.โ€ Perhaps that is just my native contrarian nature coming out, but when someone asks me, sputtering, โ€œBut how can someone like you like rap?โ€ I immediately want nothing more to do with them.

Not that my choices of music, of books, should never be criticized but at the same time I am allowed to critique the critique of me, and also to reject the critic. Which I do with alacrity.

Just like Jo Walton so elegantly does.

Escaping doesnโ€™t mean avoiding reality, escaping means finding an escape route to a better place. Seeing those options can be the file to get through the bars. Anyone who thinks this is a bad thing is the enemy.

It is no exaggeration at all to say that were it not for the music and books I consumed in middle and high school, that Iโ€™d be dead now. Tori Amos, Tanya Donelly, Hope Sandoval, Throwing Muses, Faith No More and authors too innumerable and varied to name โ€“ these people kept me alive, and showed me a better world that I knew one day that I could be and would be a part of.

And I did become part of, but never would have without their art.

So when people criticize me for reading โ€œbad booksโ€ or liking music Iโ€™m not supposed to like, I revert to my old Southern ways and lose the eloquence of Walton and say simply โ€œFuck all yaโ€™ll.โ€

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